Author Topic: Landscape with the Fall of Icarus  (Read 242 times)

hubag bohol

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Landscape with the Fall of Icarus
« on: September 11, 2012, 03:27:24 AM »
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  • ...than to speak out and remove all doubt." - Abraham Lincoln


    hubag bohol

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    Re: Landscape with the Fall of Icarus
    « Reply #1 on: September 11, 2012, 03:30:16 AM »
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  • In Greek mythology, Icarus succeeded in flying, with wings made by his father Daedalus, using feathers secured with wax. Ignoring his father's warnings, Icarus chose to fly too close to the sun, melting the wax, and fell into the sea and drowned. His legs can be seen in the water just below the ship. The sun, already half-set on the horizon, is a long way away; the flight did not reach anywhere near it.

    The ploughman, shepherd and angler are mentioned in Ovid's account of the legend; they are: "astonished and think to see gods approaching them through the aether", which is not entirely the impression given in the painting. The shepherd gazing into the air, away from the ship, may be explained by another version of the composition; in the original work there was probably also a figure of Daedalus in the sky to the left, at which he stares. There is also a Flemish proverb (of the sort imaged in other works by Bruegel): "And the farmer continued to plough..." (En de boer ... hij ploegde voort") pointing out the ignorance of people to fellow men's suffering. The painting may, as Auden's poem suggests, depict humankind's indifference to suffering by highlighting the ordinary events which continue to occur, despite the unobserved death of Icarus.

    Though landscape paintings with the title subject represented by small figures in the distance were an established type in Early Netherlandish painting, pioneered by Joachim Patiner, to have a much larger unrelated "genre" figure in the foreground is original and represents something of a blow against the emerging hierarchy of genres. --Wiki
    ...than to speak out and remove all doubt." - Abraham Lincoln


    hubag bohol

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    Re: Landscape with the Fall of Icarus
    « Reply #2 on: September 11, 2012, 03:30:52 AM »
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  • Landscape with the Fall of Icarus is a painting in oil on canvas (73.5 by 112 centimetres (28.9 × 44 in)) long thought to be by Pieter Bruegel, although following technical examinations in 1996, that attribution is regarded as very doubtful, and it is now seen as a good early copy by an unknown artist of Bruegel's original, perhaps painted in the 1560s.

    Largely derived from Ovid, the painting itself became the subject of a poem of the same name by William Carlos Williams, and is described in W. H. Auden's famous poem Musée des Beaux-Arts, named after the museum in which the painting is housed in Brussels. --Wiki
    ...than to speak out and remove all doubt." - Abraham Lincoln

    hubag bohol

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    Re: Landscape with the Fall of Icarus
    « Reply #3 on: September 11, 2012, 03:32:21 AM »
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  • Landscape With The Fall Of Icarus
    by William Carlos Williams


    According to Brueghel
    when Icarus fell
    it was spring

    a farmer was ploughing
    his field
    the whole pageantry

    of the year was
    awake tingling
    near

    the edge of the sea
    concerned
    with itself

    sweating in the sun
    that melted
    the wings' wax

    unsignificantly
    off the coast
    there was

    a splash quite unnoticed
    this was
    Icarus drowning
    ...than to speak out and remove all doubt." - Abraham Lincoln

    hubag bohol

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    Re: Landscape with the Fall of Icarus
    « Reply #4 on: September 11, 2012, 03:34:31 AM »
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  • Musée des Beaux Arts
    by W. H. Auden


    About suffering they were never wrong,
    The Old Masters: how well they understood
    Its human position; how it takes place
    While someone else is eating or opening a window or just walking dully along;
    How, when the aged are reverently, passionately waiting
    For the miraculous birth, there always must be
    Children who did not specially want it to happen, skating
    On a pond at the edge of the wood:
    They never forgot
    That even the dreadful martyrdom must run its course
    Anyhow in a corner, some untidy spot
    Where the dogs go on with their doggy life and the torturer's horse
    Scratches its innocent behind on a tree.

    In Brueghel's Icarus for instance: how everything turns away
    Quite leisurely from the disaster; the ploughman may
    Have heard the splash, the forsaken cry,
    But for him it was not an important failure; the sun shone
    As it had to on the white legs disappearing into the green
    Water; and the expensive delicate ship that must have seen
    Something amazing, a boy falling out of the sky,
    Had somewhere to get to and sailed calmly on.
    ...than to speak out and remove all doubt." - Abraham Lincoln

     

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