Much of Karadzic’s poetry often had warlike themes, with titles like “A Morning Hand Grenade,†“Assassins,†and “A Man Made of Ashes and War Boots.†But they also betrayed the dictator’s flair for self-pity:
I surmise the sun is wounding me
With its sharp malignant rays
I surmise the stars are healing me
I am the deity of dark cosmic space
A horned cow reveals a faithless goddess
Everything’s turned against me the one true god
I created the world to tear my head off
Judges torture me for insignificant acts
I am disgusted by the souls who radiate nothing
Like a small nasty puppy puny death
Is approaching from afar
I don’t know what to make of all these things
But I can’t stand the sight of you you file of scum
You file of snails
Well hurry up in your slimeAfter Karadzic’s capture in 2009, the Slovakian PEN Centre, part of PEN International, ethically criticized Slovakian magazine Dotyky for publishing his poetry without editorial comment. The editor defended the decision, saying simply that the poems were high-quality, but it set off a debate about free speech in publishing the works of a man known for inciting ethnic hatred. Andrew Rubin described the work as “a psychic landscape of eerie and illogical violence,†while Jay Surdukowski asserted that Karadzic saw himself as a poet-warrior. Surdukowski also argued in 2005 that the poetry itself could be admissible as evidence in a war crimes tribunal. --
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